Intermedial Performance Aesthetics in Patricia Fagundes' A Midsummer Night's Dream / Estética de encenação intermidiática em Sonho de uma noite de verão, de Patrícia Fagundes

Anna Stegh Camati

Resumo


Abstract: In A Midsummer Night’s Dream (1594-1595), Shakespeare introduces elements borrowed from court masques, mainly music and dance. After a brief exploration of critical arguments claiming that Shakespeare’s play is the model for musical versions produced during and after the Restoration, this essay investigates the negotiations and shifts of meaning in the homonymous Brazilian adaptation (2006), staged by Cia. Rústica and directed by Patrícia Fagundes. The intermedial processes, articulated in the transposition from page to stage, will be analyzed in the light of contemporary theoretical perspectives.

Keywords: Intermediality; media combination; intermedial references.

Resumo: Em Sonho de uma noite de verão (1594-1595), Shakespeare introduz elementos emprestados das mascaradas da corte, principalmente  música e dança. Após uma breve exploração de argumentos críticos que apontam a peça de Shakespeare como modelo de versões musicais produzidas durante e depois da Restauração, este ensaio investiga as negociações e mudanças de sentido da adaptação brasileira homônima (2006), montada pela Cia. Rústica, com direção de Patrícia Fagundes. Os processos intermidiáticos, articulados na transposição do texto para a cena, serão analisadas à luz de perspectivas teóricas contemporâneas.

Palavras-chave: Intermidialidade; combinação de mídias; referências Intermidiáticas.


Palavras-chave


Intermediality; media combination; intermedial references; Intermidialidade; combinação de mídias; referências Intermidiáticas.

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Referências


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DOI: http://dx.doi.org/10.17851/2317-2096.23.3.141-156

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Direitos autorais 2013 Anna Stegh Camati



Aletria: Revista de Estudos de Literatura
ISSN 1679-3749 (impressa) / ISSN 2317-2096 (eletrônica)

Licença Creative Commons
Esta obra está licenciada com uma Licença Creative Commons Atribuição 4.0 Internacional.